Emotion Painting

                                                   
Objectives:

Patients will gain an understanding of how much of a role emotion plays in artmaking. The connection between line, color, texture, shape etc. will be explored as patients create a painting which expresses a certain emotion or feeling.

What You Need:

• a large sheet of heavy paper (or canvas)
• acrylic paint (for older students)
• tempera paint - or crayons (for younger students)
• paintbrushes
• water
• containers
• mixing trays (could be styrofoam trays or sheets of old cardboard)
• paper towels
• newspapers
• old shirts or painting smocks
• music (various styles)
• scrap newsprint
• pencils

What You Do:

1. Talk about emotion. What does the word emotion mean? What kinds of emotions do we experience on a day-to-day basis.
2. Talk about color. How do certain colors make us feel? Why?
3. Talk about line. What kinds of lines are there? Straight, jagged, squiggly, zig-zag, etc.
4. Warm up by having patients draw lines (using pencil on newsprint) based upon certain feelings. IE: draw happy lines, draw angry lines, etc.
5. You can also encourage your patients to draw lines based on the music they are hearing (IE: jazz, classical, pop etc.)
6. Once everyone is "warmed up" begin working with the paint. Make sure each patient has a paintbrush, water and access to at least the three primary colors (red, yellow and blue).
7. Give a quick demonstration of how paints are used properly (always clean brushes before dipping into a new fresh color ... treat the brushes well by not squishing them down on the paper etc. Also, review color mixing (yellow + blue = green; red + yellow = orange; red + blue = violet)
8. Everyone can then decide on an emotion or feeling which they will express using various paint colors, lines, textures and shapes.
9. Allow your patients to take as long as they need to create the final work, encouraging them to stand back from time to time to have a really good look at what they are doing. Is it moving in the direction they want it to? Are the desired feelings starting to emerge?
10. Remember too that this is a very intuitive and subjective exercise and as such the works should not be analyzed by the instructor, but rather by the kinderartists themselves.
11. When the paintings are complete, hang them up and see how others interpret the work. Does everyone see similar emotions in the same works? Yes? No? Why? Refer

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